• ZED-14 Mixer14 inputs total6 Mono Channels with XLR inputs and preamps with 3-Band EQ with sweepable mids4 Stereo Channels with line inputs with 2-band EQ4 Aux sends2 Stereo returnsUSB send & return for PC or Mac , playback and effects48V phantom powerInsert pointsHigh pass filterStereo imaging control on every channelChannel mute switchesAdvanced monitoring facilities1/4" and 3.5mm headphones outputsStereo record outAlternative stereo outMono sum of LR outputMain LR outputs12-bar LR me.

The Allen & Heath ZED-14 USB Mixing Console has incredibly advanced features for a mixer at this level-it has 13 independent sources to the mix, 10 independent outputs, 4 aux sends, a USB send & return for PC or Mac , playback and effects, a unique dual stereo input capability and some very advanced monitoring facilities. In fact, ZED-14 is so packed full of great features that you'd think it would cost much, much more.The ZED-14 is a mixer for anyone, from entry-level to professionals, who appreciates fantastic uncolored sound, lots of headroom, a truly professional feel, and rugged build quality. It can be used for many different tasks, whether in live performance, utilizing plug-in effects via USB, live via USB and Cakewalk, studio or mixing down to produce your own 2-track s. Inputs One of the great things about the ZED series is the number and variety of things you can plug in. In addition to the six mono channels there are four stereo channels, each with a main stereo input on jack sockets, and with the ability to take additional stereo inputs from phono sockets or from the USB audio input, flexibility gives you control. In all, ZED-14 boasts 99 different controls on its front panel-way more than any of the competition! 6 mic/line channels are provided on ZED-14 - plenty for mics or DI boxes for a small band, duo or solo performer 4 stereo line inputs-dual inputs, both with gain and 2-band EQDuoPre Based on the proven pre-amps from the hugely successful PA series, the ZED series has new DuoPreTM pre-amps, which use a two stage design, with carefully controlled as of gain in each stage. When amplifying the signal from the XLR input, the gain range is huge-69dB of range to be exact-and is very evenly distributed around the gain control, meaning better control of signal level. Most of the gain comes from the first stage, so unwanted noise is kept to a minimum. Line level signals are simply plugged into the second stage o