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This is a book about men who were beautiful enough and brave enough to bare all for photographers and painters between he years of 1935 and 1955. Forty-eight men are represented, of whom thirty-two were still living when I began working on the project (three have since died). Their modern-day portraits have been taken by a talented young photographer, Ethan Winslow, as a record of my encounters and to contrast with the stylized beauty of the past (remarkably, for the most part they remain beautiful and brave). In many ways this book came about because its time was due, as interest in the art and photography of the prewar and wartime periods has revived. The photography of this era looks surprisingly modern to our eyes. In particular, photographs of the male nude that were once only for the private collector now inspire today's artists and creative directors. Review: A Brilliant Idea Well Executed! - David Leddick, who has given us many books on the naked male, had a brilliant idea for this one: he would put together a book of photographs of nude models from 1935 to 1955 and include recent photographs of the men as close to the time of publication of this book (1997) as possible. The result is a stunning success. There is a foreward by Quentin Crisp, a male model, himself, for art classes in England in the 1930's (THE NAKED CIVIL SERVANT) and a long, sometimes wordy introduction by Mr. Leddick. Of more interest, at least to me, is the biographical information about each of the models, their occupations, whether they married or not, what they are doing now and if they are alive--most of them were at the time Mr. Leddick began his research. Many of the photographs are by George Platt Lynes, who apparently never took a bad picture and to whom every subsequent photographer of the nude male owes a tremendous debt. No photographer since Lynes has lit the human body with such skill and beauty. There are unknown models here but some big names as well: Tennessee Williams, the very straight but most unshy Yul Brynner, Donald Windham, Christopher Isherwood, the famous artist Paul Cadmus, the photographer Horst as well as George Platt Lynes, himself. Two of my favorite photographs: that of Umberto Visbal, a darkroom and studio assistant for Lynes in the early 1950's-- outrageously sexual (p. 127), and Carlos McLendon (p. 87) shot in September 1947; here we have a photograph beautifully composed and printed with many shades of gray. My favorite quote from the written material: Bill Harris (pp. 94-95) saying that he never frequented a bathhouse again after hearing someone say: "See that little old Chinese woman over there? That used to be the handsomest man in New York." The writer Camus may have been correct when he said that after the age of 40, we are all responsible for our own faces. He could have included our bodies as well. Review: The Men Who Bared It First-- From 1935 to 1955 - Great book with an artistic assortment of classic male nudes. What makes this one different than your typical book of vintage nudes? This book combines stories and updated photographs of the men who did it first. Quite a wonderful and fascinating book-- as well as a trip down memory lane. Many full page portraits-- a great coffee table book.
| Best Sellers Rank | #1,898,045 in Books ( See Top 100 in Books ) #2,266 in Erotic Photography (Books) |
| Customer Reviews | 4.5 out of 5 stars 24 Reviews |
F**N
A Brilliant Idea Well Executed!
David Leddick, who has given us many books on the naked male, had a brilliant idea for this one: he would put together a book of photographs of nude models from 1935 to 1955 and include recent photographs of the men as close to the time of publication of this book (1997) as possible. The result is a stunning success. There is a foreward by Quentin Crisp, a male model, himself, for art classes in England in the 1930's (THE NAKED CIVIL SERVANT) and a long, sometimes wordy introduction by Mr. Leddick. Of more interest, at least to me, is the biographical information about each of the models, their occupations, whether they married or not, what they are doing now and if they are alive--most of them were at the time Mr. Leddick began his research. Many of the photographs are by George Platt Lynes, who apparently never took a bad picture and to whom every subsequent photographer of the nude male owes a tremendous debt. No photographer since Lynes has lit the human body with such skill and beauty. There are unknown models here but some big names as well: Tennessee Williams, the very straight but most unshy Yul Brynner, Donald Windham, Christopher Isherwood, the famous artist Paul Cadmus, the photographer Horst as well as George Platt Lynes, himself. Two of my favorite photographs: that of Umberto Visbal, a darkroom and studio assistant for Lynes in the early 1950's-- outrageously sexual (p. 127), and Carlos McLendon (p. 87) shot in September 1947; here we have a photograph beautifully composed and printed with many shades of gray. My favorite quote from the written material: Bill Harris (pp. 94-95) saying that he never frequented a bathhouse again after hearing someone say: "See that little old Chinese woman over there? That used to be the handsomest man in New York." The writer Camus may have been correct when he said that after the age of 40, we are all responsible for our own faces. He could have included our bodies as well.
A**N
The Men Who Bared It First-- From 1935 to 1955
Great book with an artistic assortment of classic male nudes. What makes this one different than your typical book of vintage nudes? This book combines stories and updated photographs of the men who did it first. Quite a wonderful and fascinating book-- as well as a trip down memory lane. Many full page portraits-- a great coffee table book.
K**L
Beautiful, but less than meets the eye
David Leddick's "Naked Men" is a most unusual collection of nude photography. Leddick's expressed intent is to chronicle the early history of photographing unclothed men, and he sets about it in two divergent ways. The narrative centers around the photographer George Platt Lynes (1907-1955), the creator of many of the photographs reproduced in the volume, and his circle of like-minded friends in early twentieth-century New York, including the artist Paul Cadmus (still living), and the recently deceased arts impresario Lincoln Kirstein. Although the pictures of course hold a strong homoerotic appeal and many of the subjects were romantically and physically entwined with their photographers and each other, the book is not a gay history. In fact, there is not enough history included in the text, which is framed by large expanses of blank page and ceases for much of the book. The inclusion of brief histories and present-day, or at least more recent, photographs of the models is Leddick's second main innovation, and is indeed effective--the juxtaposition of the men in their youthful beauty and their serene, still handsome older selves offers surprising, often moving revelations to the viewer and reader. Yet here again, one wishes that more of them were allowed to speak for themselves. The photographs included are large and beautifully reproduced (a eye-popping highlight is one of a very young Yul Brynner), but it is downright churlish to offer a smoldering picture of a half-undressed Jack Fontan, state that it is "one of a series of photos in which the subject performs... a striptease until he is fully unclothed," and then not show any more! In short, this is a book that, overall, has an effect exactly like many of its photographs--it tantalizes, but in the end leaves one a bit unsatisfied.
A**E
This was a great look back into male nudes through a certain length ...
This was a great look back into male nudes through a certain length of history. i love the photos and artwork.
J**E
Fine Content
Content was as advertised. Photos are fine but I have more interesting books.
C**N
Worth it
Now, I didn't buy this book from Amazon; I bought it from a used book store for about $20-30. This is such an amazing book. I enjoyed reading and looking at the photos!
K**I
Good price and quality
Wonderful buy! Highly recommend this product.
D**D
review
Great product....filled with beautiful images....made me get my camera back out and start shooting again. A book most men should have in their collection Thanks Darrell
R**.
Beautiful B&W
Great bios of the men who photographed the male nude in the early years of the twentieth century. Informative, non-erotic and perfect for the coffee table.
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